_easiest-tool-for-nearly-any-scenario.jpg "Easiest Tool for Nearly Any Scenario from software angelo Video Screenshot Preview")
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⏲ Duration: 3 min 63 sec
✓ Published: 04-Mar-2016
✓ Published: 04-Mar-2016
Description:
Doug Massey, CLU, ChFC of OFG Financial Services shares some of his success stories from using The Retirement Analysis Kit (TRAK) retirement planning software.nnIn Doug's words,
Doug Massey, CLU, ChFC of OFG Financial Services shares some of his success stories from using The Retirement Analysis Kit (TRAK) retirement planning software.nnIn Doug's words,
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_tremenda-presenza-real-time-digital-directed-performance-ita.webp "A un secolo dalle Elegie Duinesi, completate e pubblicate nel 1923, un omaggio a Rainer Maria Rilke e all’invisibile.nn“L’angelo delle Elegie è quella creatura in cui la metamorfosi del visibile in invisibile, che noi operiamo, compare già compiuta… L’angelo delle Elegie è quell’essere che è garante del fatto di riconoscere nell’invisibile un superiore rango della realtà. Per questo è tremendo per noi, perché noi, coloro che amano e trasformano, siamo ancora legati al visibi")
_better-life-for-bunnies.webp "Vote for my film here!nhttps://www.rode.com/myrodereel/watch/entry/6884nnBehind The Scenes:nhttps://www.youtube.com/watch?v=9hJIpLeDO_cnnTalent:nJacqueline Leung - Better Life For BunniesnBella - Mixed Netherland BunnynCookie - Harlequin Lop BunnynnCrew:nVictor Ng - Director. Cinematographer & EditornTristian Angelo Gacrama - BTS Videographer & BTS EditornnEquipment:nRode Videomic Pro, Rodelink Wireless System, Rode NTG2, Rode Mini Boompole, Zoom H4N, Panasonic GH4, Atomos Ninja Flame, M")
_bicyprinter.webp "For this workshop, we had to code without computers. Indeed, we were asked to create a machine (representing the software) that anybody can use (as every computer is able to run a specified code) with simple statements in order to make a scrolling text. To make it, we have dismantle a bicycle and used its pieces.nnWorkshop lead by Angelo Benedetto and assisted by Romain Cazier.nECAL/André Andrade, Pierry Jaquillard, Kelian Maissen")
_a-year-in-the-life.webp "A collection of footage i shot at my home in Katoomba over a 12 month period.nI suppose you would call it a real home movie.nnCamera: Canon 60DnLense: Tokina 11-16 F2.8, Canon 17-55 F2.8nnSoftware: Sony Vegas Pro 11nnMusic is from the Seven Pounds SoundtracknAngelo Milli - Leaving Home nAngelo Milli - Inez")
_the-adventures-of-yuri.webp "Follow Yuri on his adventures through downtown Oakland in a nfuture East Bay Area of 2019.nnMusic by Aries 4Rce BeatZ")
_gin-and-grace-from-employment-to-marriage-contract.webp "These two love birds had quite the first meeting. Gin and Grace met during a Job Offer/Contract Signing at the company they both worked at. Grace was a Technical Recruiter hiring Software Engineers. She sourced his profile and offered him the job. Her first impression was that he looked goofy but adorable at the same time. As the days went on, they became friends. She felt comfortable and secure every time she's with him. They watched")
_92.webp "On the weekend of January 28th, I participated in the Global Game Jam (http://globalgamejam.org/) in San Francisco at Citizen Space http://citizenspace.us/. Special thanks to SoCho (http://socialchocolate.com/ ) for organizing the event so beautifully. nnThe Global Game Jam is an opportunity for game developers to meet and mingle, group into small teams (usually randomized), and then build games (digital or nondigital, 2D or 3D) over an intense 48 hour period. At the end of the event, teams pres")
_hugree-demo-at-artropocode.webp "Hug@ree was demonstrated during the ArtropoCode – “1º Encontro de tecedeiras de código livre” (1st meeting of libre weavers), a digital art and open source software event. This demo version was improvised with fallen leaves and branches. nIn the chillout extension, Hug@ree became an extra entertainment during the night session, grabbing surprising screenshots with the VJ performance and the participants dancing scenario!nn---nHug@ree is an ARTiVIS experience by Mónica Mendes, Pedro Âng")
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