_pankaj-tripathi-in-aap-ki-adalat-live-life-story-mai-atal-hoon-mirzapur-and-more-124-rajat-sharma-preview-1.jpg "Pankaj Tripathi in Aap Ki Adalat Live: Life Story, Mai Atal Hoon, Mirzapur and More | Rajat Sharma from rajat tripathi Video Screenshot Preview 1")
Gallery_pankaj-tripathi-in-aap-ki-adalat-live-life-story-mai-atal-hoon-mirzapur-and-more-124-rajat-sharma-preview-3.jpg "Pankaj Tripathi in Aap Ki Adalat Live: Life Story, Mai Atal Hoon, Mirzapur and More | Rajat Sharma from rajat tripathi Video Screenshot Preview 3")
Gallery_pankaj-tripathi-in-aap-ki-adalat-live-life-story-mai-atal-hoon-mirzapur-and-more-124-rajat-sharma-preview-hqdefault.jpg "Pankaj Tripathi in Aap Ki Adalat Live: Life Story, Mai Atal Hoon, Mirzapur and More | Rajat Sharma from rajat tripathi Video Screenshot Preview hqdefault")
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_rajat-tripathi.webp "baseem khan")
_jai-jai-shivshankar-dance-rajat-tripathi.webp "rajat Dance")
_murder-mubarak---sara-ali-khan-vijay-varma-pankaj-tripathi.webp "Misdirection. Murderers and magicians thrive on it, and, to some extent, film directors too. Homi Adajania knows his way around misdirection: his debut feature, Being Cyrus (2005), was an eerily involving thriller, its calm conceits and subtle performances building up to a delicious twist. He attempts the same trick all these years later in Murder Mubarak. As before, he gathers a fine ensemble whose florid antics keep us guessing. The only slip-up is that one of the performances — by no means a peripheral one —is alarmingly off-key, drawing more attention to itself than it ideally should.<br/>During a murder investigation, a non-traditional police officer turns a spotlight on an array of suspects. He steps into their world as an outsider, only to find there is so much more than what meets the eye.")
_kamar-teri-left-right-ft-rajat-tripathi.webp "rajat Dance")
_rajat-tripathi.jpg)
_jai-jai-shivshankar-dance-rajat-tripathi.jpg)
_murder-mubarak---sara-ali-khan-vijay-varma-pankaj-tripathi.jpg)
_kamar-teri-left-right-ft-rajat-tripathi.jpg)
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