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BE PREPARED to spend big to own a Karlmann King - the world’s most expensive SUV. With a starting price tag of over $1M, the monster-sized vehicle can even come provided with an optional bullet proof exterior. Intentionally designed asymmetrical, the sport utility vehicle has what the creator calls the ‘diamond design’. Designer Luciano D’Ambrosio says inspiration was drawn from the Batmobile that featured in The Dark Knight trilogy. Luciano told R.Rides: “When you’re in this business for so many years you think, how about being a little different, especially exaggerated. The maverick designer threw the engineering manual out when envisioning the look for the Karlmann King. Multiple protruding surfaces making up its idiosyncratic look - the car is a spectacle to look at when it’s on the road. He said: “Going opposite to what the design rules would usually ask you for, it’s called the diamond design.” Although the car has been designed to be domineering and big, Luciano is quick to point out the car shouldn’t be seen as too aggressive. The construction of the car is comprised of a shell built and overlapped a Ford F550 chassis, but its unique design doesn’t stop there. For the more discerning customer the car is almost fully customisable. Under the bonnet the car boasts a Ford 6.7l V10 engine giving off 420 horsepower and, despite its mammoth shape, provides a smooth drive on the roads. The top speed of the vehicle is 220 km/h. Luciano said: “Given the size of the car you can imagine you’re driving an elephant but it’s a very flexible and nice drive.” Although its starting price begins at a cool $1,085,000, for a more bespoke design and with its customisable extras the vehicle can cost up to $3,800,000. “My most favourite thing is the way people look at the car, it doesn’t go unseen,’ said Luciano.
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NTV Entertainment
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Yeon Sang-ho’s “Train to Busan” is the most purely entertaining zombie film in some time, finding echoes of George Romero’s and Danny Boyle’s work, but delivering something unique for an era in which kindness to others seems more essential than ever. For decades, movies about the undead have essentially been built on a foundation of fear of our fellow man—your neighbor may look and sound like you, but he wants to eat your brain—but “Train to Busan” takes that a step further by building on the idea that, even in our darkest days, we need to look out for each other, and it is those who climb over the weak to save themselves who will suffer. Social commentary aside, it’s also just a wildly fun action movie, beautifully paced and constructed, with just the right amount of character and horror. In many ways, it’s what “World War Z” should have been—a nightmarish vision of the end of the world, and a provocation to ask ourselves what it is that really makes us human in the first place.<br/><br/>ADVERTISEMENT<br/><br/>Seok-woo (Gong Yoo) is a divorced workaholic. He lives with his mother and barely spends any time with his daughter Su-an (Kim Su-an). He’s so distant from her that he buys her a Nintendo Wii for her birthday, ignoring that she has one already, and that he’s the one who bought it for her for Children’s Day. To make up for this rather-awkward moment, he agrees to give Su-an what she really wants—a trip to her mother’s home in Busan, 280 miles away. It’s just an hour train ride from Seoul. What could possibly go wrong? Even the set-up is a thematic beauty, as this is more than just a train ride for Seok-woo and Su-an—it’s a journey into the past as a father tries to mend bridges and fix that which may be dead. It’s a perfect setting for a zombie movie.<br/><br/><br/>The 14 Scariest Mythological Monsters In Horror Movies<br/>Before they even get to their early-morning train ride, Seok-woo and Su-an see a convoy of emergency vehicles headed into Seoul. When they get to the train, Sang-ho beautifully sets up his cast of characters, giving us beats with the conductors, a pair of elderly sisters, a husband and his pregnant wife, an obnoxious businessman (a vision of Seok-woo in a couple decades), and even a baseball team. A woman who’s clearly not well gets on the train just before it departs, and just as something else disturbing but generally unseen is happening in the station above the platform. Before you know it, the woman is taking out the jugular of a conductor, who immediately becomes a similarly mindless killing machine. These are zombies of the “28 Days Later” variety—fast, focused, and violent. They replicate like a virus, turning whole cars of the train into dead-eyed flesh-eaters in a matter of seconds. They are rabid dogs. And you thought your Metra commute was bad
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