_best-of-dakar-cars-124-andaluca-rally-2021-by-jaume-soler-preview-1.jpg "Best of Dakar Cars | Andalucía Rally 2021 by Jaume Soler from dakar 2021 live Video Screenshot Preview 1")
Gallery_best-of-dakar-cars-124-andaluca-rally-2021-by-jaume-soler-preview-3.jpg "Best of Dakar Cars | Andalucía Rally 2021 by Jaume Soler from dakar 2021 live Video Screenshot Preview 3")
Gallery_best-of-dakar-cars-124-andaluca-rally-2021-by-jaume-soler-preview-hqdefault.jpg "Best of Dakar Cars | Andalucía Rally 2021 by Jaume Soler from dakar 2021 live Video Screenshot Preview hqdefault")
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_dakar-2021-live-presentation.webp "Dakar")
_dakar2021-follow-live-the-dakar-2021-route-presentation.webp "Dakar")
_studios-kabako-letters-from-the-continent-with-english-subtitles.webp "Virginie Dupray, Faustin Linyekula / Studios Kabako – Letters from the Continent nFilm // various languages / with English subtitles n*deutsche Beschreibung weiter unten*nnThe film “Letters from the Continent”, co-produced by HAU, was conceived and shot in May and June 2020 and features 21 artists who live and create in Cape Town, Dakar, Lagos, Maputo, Moroni, Tunis, and other cities. Filmed during the Covid-19 pandemic it reflects on how for many people there has always been some sort of")
_re-live-the-dakar2021-in-6mins.webp "Honda Racing Global")
_studios-kabako-letters-from-the-continent-mit-deutschen-untertiteln.webp "Virginie Dupray, Faustin Linyekula / Studios Kabako – Letters from the Continent nFilm // Diverse Sprachen / Mit deutschen Untertiteln n*English version below*nnDer vom HAU koproduzierte Film “Letters from the Continent” wurde im Mai und Juni 2020 konzipiert und gedreht, zusammen mit 21 Künstler*innen aus Kapstadt, Dakar, Lagos, Maputo, Moroni, Tunis und anderen Städten. Mitten in der Covid-19-Pandemie entstanden, widmet der Film sich den vielen Menschen, die in einem permanenten Krisenm")
_best-of-dakar-rally-2024.webp "Red Bull Rally")
_dakar2021-closing-ceremony-presented-by-aquafina.webp "Dakar")
_imitation-of-lives-jimmy-robert.webp "In Imitation of Lives, Jimmy Robert turns the Glass House into a stage for an intimate performance that delves into the intersections of architecture, visibility, and black representation. Inspired by Jeff Wall’s essay Dan Graham’s Kammerspiel (1988), Robert draws on the house’s reflective qualities to devise a work for three performers engaged in a subtle game of looking and being looked at in turn.Read about Imitation of Lives in the performance booklet and in Frieze Magazine.nnIn previo")
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