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CHRISTINA AGUILERA — What A Girl Wants | From Christina Aguilera — Stripped (Live In The U.K.) | Christina's first-ever live release, filmed at sold-out Wembley Arena in London<br/>Artist: Christina Aguilera <br/><br/>Title: What A Girl Wants <br/><br/>Written and Composed by Shelly Peiken/Guy Roche<br/>Published by EMI Blackwood Music Inc. (BMI)/Manuiti L.A. (ASCAP)/Sushi Too (BMI)/Hidden Pun Music (BMI) <br/><br/>DVD ~ Christina Aguilera - Stripped (Live In The U.K.)<br/>Christina's first-ever live release, filmed at sold-out Wembley Arena in London<br/>Release date: 8 November, 2004<br/>82876 580009<br/>Executive Producer: Christina Aguilera<br/>Director: Julia Knowles<br/>Producer: Sharon Ali<br/>Executive Producer Christina Aguilera <br/>Musical Director / Keyboards - Robert Lewis<br/>Bass - Ethan Farmer<br/>Guitar - Michael Herring<br/>Drums - Brian Frasier-Moore<br/>Percussion - Ray Yslas<br/>Vocalists - Charlean Hines, Traci Nelson, Brandon Rogers<br/>Mixed by Chris Lord-Alge <br/>at Image Recording Studios<br/>Dancers <br/>Tiana Brown, Erin Hernandez, Paul Kirkland, Leo Moctezuma, Gilberto Saldivar, Telisha Shaw, Monique Slaughter, Marcel Wilson <br/>Post Production Audio Supervisors - Toby Alington, Tony Blanc<br/>RCA Records International - Tim Delaney, John Volgtmann<br/>DD Dolby Digital 5.1<br/>PAL<br/>The RCA Records Label is a Unit of BMG<br/>Distributed by the local BMG company. All trademarks and logos are protected. <br/>RCA is a registered trademark of RCA trademark Management.<br/>Made in the EU. <br/>Dolby and DD are trademarks of Dolby Laboratories, Inc.<br/>RCA<br/>BMG <br/>LC 00316<br/>Studio: Sony Music Entertainment Germany<br/>Media Format: PAL, DVD-Video<br/>Freigegeben ohne Altersbeschränkung gemäß § 14 JuSchG FSK<br/>Approximate Running Time: 6:28
⏲ 6:29 👁 15K
The Guardian
⏲ 11 minutes 53 seconds 👁 5.1M
Ayushman Bhawa
⏲ 6 minutes 16 seconds 👁 380.1K
⁣Alonzo Mann's testimony describes his experience when he appeared on the front page of the Atlanta Constitution in February 1978. He and his father noticed some inaccuracies in the article about Mary Phagan and felt it necessary to convey their opinion to the author. John Phagan Durham, son of Lizzie Mary Etta Phagan, went to Atlanta Constitutional Editor-in-Chief Sears and requested that the article be deleted. Mr. Sears replied that he could not stop the article, and that if the article offended the Phagans, he would apologize, and if it was factually wrong, he would correct it. John Phagan-Durham told Sears he would not make corrections because he was confident that the series had made the front page and corrections would not make it to the front page. The series renewed interest in the assassination of Little Mary Phagan and its aftermath. People wanted to know more about the trial and the lynching, and whether anyone from Phagan was involved in the lynching. Alonzo Mann became more eloquent about the incident. Bernard and the narrator had never heard of young Mary Phagan, but one night Bernard told them that a girl named after the narrator had been murdered. The narrator tells him what happened and why the Phagan family has remained silent. Bernard and the narrator drive to Marietta to visit Mary's grave. The cemetery was located in a wealthy area of ​​the cemetery and had a marble headstone bearing her name and an inscription written by Tom Watson. The narrator quickly memorized the inscription and took a picture of Maria for scrapbooking. A middle-aged couple approached the narrator and asked if he knew where Little Mary Phagan's grave was. Her newspaper article rekindled interest in her, and the narrator was impressed by her relatives' refusal to seek public attention and their desire to remain anonymous. That year, 1978, was a year full of beginnings and innovations for the narrator, including when her father contacted a reporter to acknowledge her relationship with Mary for the first time. A few days after the accident, the narrator decides to check on the elderly woman who hit her car and see if she has filed insurance papers. As she opens the door, the narrator explains that it was she who was involved in the accident and is checking to see if she has filed her insurance papers. The narrator meets a woman who is blind and deaf and needs help filling out her form. She asked the narrator if they were related to Little Mary Phagan, and the narrator filled out her paperwork and read it through her magnifying glass. The woman then asked the narrator if she was related to Little Mary Phagan, to which she replied that the narrator was. Her wife then told the narrator about her life at the time and the changes she had undergone in her 92 years. The narrator had a great time and was invited to lunch with the lady. Her lady found the narrator listening to herself carefully, and the next day the narrator again received an invitation to lunch.<br/><br/>
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Social Feed Tube
⏲ 3 minutes 👁 8.1M
Period Nirvana
⏲ 30 seconds 👁 11M
The Leo Frank case was convened in a temporary Atlanta courtroom on July 28, 1913, with 250 seats and 20 officers guarding the courtroom. The jurors, all white men and Atlanta residents, were chosen within 3 hours of the first morning of the trial. The defense used 18 of its 20 strikes without a cause while the prosecution used seven of the ten allowed. The twelve jurors were C.J. Bashard Pressman, I Hensley, Buggy Company, J. F. Higdon Building Contractor, Jefferies - Real Estate, Johenning Shipping Clerk, WF Medcalf Mailer, J.T. Osborne, Optician, Frederick V. L. Smith paying teller, D. Townsend paying teller, F.A. Windburn Railroad Claims agent, Al Weizby Cashier, M. S. Woodward - Cashier, King - Hardware. The Chief prosecutor, solicitor General Hugh A. Dorsey, was handsome and forceful, assisted by Frank Arthur Hooper and Edward A. Stevens. The defense was defended by Atlanta's two well known trial lawyers Special Assistant Solicitor Hooper described the State's case against Leo Frank, who was accused of premeditated rape of Mary Phagan. He alleged that Frank had seduced and taken liberties with other young factory girls and had made unsuccessful advances to Mary Phagan. Several surviving family members have said that Frank harassed Mary Phagan and that she went home and told her mother several former National Pencil Company employees have also alleged that they heard Frank sexually harass Mary Phagan.<br/><br/>The state argued that Frank was alone in the office, gave Mary Phagan her pay envelope, then followed Mary to the medal room and made sexual overtures to her. He then strangled her and gave Conley $2.50 and then $200, but later had Conley return the money. Hooper singled out the expected testimony of Monteen Stover, who he claimed would contradict Frank's contention that he had been in his office continuously from 12:00 p.m. Mrs. J. W. Coleman, the mother of Mary Phagan, testified that she last saw her daughter alive on April 26, 1913. A court officer drew forth a suitcase and lifted out the dress and shoes that Mary Phagan had worn when she last saw her.<br/><br/>Fanny Phagan Coleman identified the clothing of her murdered daughter by covering her eyes with a palm fan and sobbing. At that time, few women attended court trials except for those related to the victim or the defendant. Fanny Phagan Coleman and Ali May Phagan attended the trial, as well as Lucille Selig Frank, Frank's wife, and Mrs. Ray Frank, his mother. When asked for her thoughts by a reporter for the Atlanta Journal, Fanny Phagan Coleman said she would rather not talk about it. This silence caused the rest of the Phagan family not to speak of the trial for the next 70 years.<br/><br/>⁣The narrator went out of the door and stayed until four minutes to six. When he returned, the doors were unlocked and the narrator went to Mr. Frank to change the slip. It took him twice as long as the other times he saw him fix it.<br/><br/>
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Vriddhi Patwa
⏲ 10 minutes 27 seconds 👁 922.7K
We Are Yuvaa
⏲ 4 minutes 36 seconds 👁 594.3K
HerBody mDhil
⏲ 1 minute 37 seconds 👁 698K
Extra Edsta
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Nas Daily
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