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https://www.subindo9901.my.id/
⏲ 23:25 👁 45K
Ryan Garcia misses weight by three pounds, voiding a title fight between himself and Devin Haney
⏲ 0:54 👁 180K
Ryan Garcia misses weight by three pounds, voiding a title fight between himself and Devin Haney
⏲ 0:54 👁 110K
Ryan Garcia misses weight by three pounds, voiding a title fight between himself and Devin Haney
⏲ 0:54 👁 30K
Subindo9901.My.Id Shadows Of The Void Episode 3 from noeoolekcin void
⏲ 21:40 👁 15K
Shadows of the Void Ep 4 Multi Sub
⏲ 18:38 👁 5K
‍♂️ Want to meet Acharya Prashant?<br/>Be a part of the Live Sessions: https://acharyaprashant.org/hi/enquir...<br/><br/>⚡ Want Acharya Prashant’s regular updates?<br/>Join WhatsApp Channel: https://whatsapp.com/channel/0029Va6Z...<br/><br/> Want to read Acharya Prashant's Books?<br/>Get Free Delivery: https://acharyaprashant.org/en/books?...<br/><br/> Want to accelerate Acharya Prashant’s work?<br/>Contribute: https://acharyaprashant.org/en/contri...<br/><br/> Want to work with Acharya Prashant?<br/>Apply to the Foundation here: https://acharyaprashant.org/en/hiring...<br/><br/>➖➖➖➖➖➖<br/><br/>Video Information: 24th Advait Learning Camp, 15.9.16, Mukteshwar, Uttrakhand, India <br/> <br/><br/>Context:<br/><br/>Zen Koan: <br/>Joshu asked Nansen, “What is the Way?” Nansen answered, “Your ordinary mind–that is the Way.” Joshu said, “Can it be grasped (for study)?” Nansen replied, “The more you pursue, the more does it slip away.” Joshu asked once more, “How can you know it is the Way?” Nansen responded, “The Way does not belong to knowledge, nor does it belong to non-knowledge. Knowledge is illusion. Non knowledge is beyond discrimination. When you get to this Way without doubt, you are free like the vastness of space, an unfathomable void, so how can you explain it by yes or no?” <br/>Upon hearing this, Joshu was awakened.<br/><br/>~ What is the only real method?<br/>~ What is the problem with methods?<br/>~ How to observe without interfering?<br/>~ What is the difference between ordinary mind & observer's mind?<br/>~ What is the problem in being an motivated observer?<br/><br/><br/>Music Credits: Milind Date <br/>~~~~~~~~~~~~~
⏲ 11:55 👁 5K
THE CRUEL- Daghan, a soldier in the East, returns home for a mental break after traumatic experiences, only to find his life upended. His estranged girlfriend Aydan is missing, fueling his distress. His family is in disarray: his sister eloped, his brother turned to crime, and his parents are distraught. Daghan's absence has left a void, leading to the family's downfall. The neighborhood too has changed, now overrun with crime and old friends entangled in illegal acts. In this chaos, a figure known as Manager emerges, offering Daghan a job as a hitman. Initially resistant, Daghan is drawn in after his friend Samet's death, agreeing to the job to protect Samet's family. His turmoil deepens upon discovering Aydan's infidelity, shattering his hope of reunion. Realizing his family's safety is at risk due to his new role, Daghan sees no choice but to embrace brutality to protect his loved ones. This is The Cruel
⏲ 1:58:13 👁 5K
While baseball fans are doing whatever it takes to fill the void as they patiently wait for the 2020 season to start, one game is above all the rest and getting plenty of attention, that being Strat O Matic Baseball.
⏲ 2:49 👁 5K
Shylock's rebuke from The Merchant Of Venice by Shakespeare<br/><br/>Recited by Frank Burbeck <br/><br/>Victor 17163<br/><br/>1912<br/><br/>Spoken by Shylock<br/><br/>Act 1, Scene 3<br/><br/>Signior Antonio, many a time and oft<br/>In the Rialto you have rated me<br/>About my moneys and my usances:<br/>Still have I borne it with a patient shrug,<br/>For sufferance is the badge of all our tribe.<br/>You call me misbeliever, cut-throat dog,<br/>And spit upon my Jewish gaberdine,<br/>And all for use of that which is mine own.<br/>Well then, it now appears you need my help:<br/>Go to, then; you come to me, and you say<br/>‘Shylock, we would have moneys:’ you say so;<br/>You, that did void your rheum upon my beard<br/>And foot me as you spurn a stranger cur<br/>Over your threshold: moneys is your suit<br/>What should I say to you? Should I not say<br/>‘Hath a dog money? is it possible<br/>A cur can lend three thousand ducats?’ Or<br/>Shall I bend low and in a bondman’s key,<br/>With bated breath and whispering humbleness, Say this;<br/>‘Fair sir, you spit on me on Wednesday last;<br/>You spurn’d me such a day; another time<br/>You call’d me dog; and for these courtesies<br/>I’ll lend you thus much moneys’?<br/><br/>Bassanio has no money but he needs money so he can woo Portia, so Bassanio turns to his friend Antonio for a loan.<br/><br/>Antonio has invested his own money in ships and cannot furnish his friend with money, so he hopes to help Bassanio by going to Shylock for a loan.<br/><br/>Shylock is Jewish. The others are Christian.<br/><br/>Shylock is bitter that he is asked for money after being badly treated by Antonio in the past.<br/><br/>That bitter feeling is the basis for this famous monologue.
⏲ 3:13 👁 5K
Ryan Garcia misses weight by three pounds, voiding a title fight between himself and Devin Haney
⏲ 0:54 👁 5K
Archie Moore: kith and kin / Australian Pavilion at Venice Art Biennale 2024. April 19, 2024.<br/>Official description: First Nations peoples of Australia are some of the oldest continuous living cultures on Earth, and statistically one of the most incarcerated. Archie Moore’s kith and kin is both evidence and reminder of these facts. The sprawling chalk on blackboard mural traces his Kamilaroi and Bigambul relations back 65,000+ years, including the common ancestors of all humans. Handwritten across the walls and ceiling, the family tree engulfs the audience. The education materials refer to the transmission of knowledge and what is left out of history. Kamilaroi and Bigambul words in the drawing assert Indigenous language revival initiatives, while holes signal colonial invasions, massacres, diseases and displacement that sever familial ties. The central reflection pool is also a void; a memorial to First Nations deaths in state custody attended by piles of coroners’ reports. Archie adds archival records referencing kin to demonstrate how colonial laws and government policies have long been imposed upon First Nations peoples. These bureaucratic papers documenting tragedies are cradled by the reflection of the family tree in the surrounding water. The artist uses his family history to make systemic issues uncomfortably tangible to audiences while providing a prescient reminder that we are all kin.
⏲ 2:2 ✓ 26-Apr-2024
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