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Lord of All Lords [Shengzu] Ep 18 ENG SUB
⏲ 15:13 👁 275K
The Eight Mountains (2022)
⏲ 2:27:1 👁 770K
Coke Studio | Season 14 | Kana Yaari | Kaifi Khalil x Eva B x Abdul Wahab Bugti
⏲ 3:59 👁 35K
WHITE GOLD | Omeleto
⏲ 17:28 👁 1.8M
The Heavenly Idol (2023) Episode 2 [ENG SUB]
⏲ 58:18 👁 45K
Star Chaser Movie
⏲ 1:43 👁 265K
OTD In Space – May 14: NASA Launches 1st Skylab Space Station
⏲ 1:10 👁 390K
Arcade (1993) Original CGI Version Title card - Italian VHS Version
⏲ 2:21 👁 40K
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_lord-of-all-lords-shengzu-ep-18-eng-sub.jpg "This is Investiture of the Gods' newly developed universe. Yang Jian, Su Daji, Jiang Ziya, and King Zhou will all receive new definitions. With the motto \")
_the-eight-mountains-2022.jpg "The Eight Mountains (Italian: Le otto montagne) is a 2022 drama film co-directed by Felix van Groeningen and Charlotte Vandermeersch, who co-adapted the screenplay from the novel of the same name by Paolo Cognetti. The film depicts a friendship between two men who spend their childhood together in a remote Alpine village and reconnect later as adults. The title is a reference to the concept in Buddhism and ancient Indian cosmology that the world is composed of nine mountains and eight seas, specifically eight concentric circular mountain ranges separated from one another by eight seas, with the ninth and tallest mountain, Mount Meru, at the center.")
_coke-studio-124-season-14-124-kana-yaari-124-kaifi-khalil-x-eva-b-x-abdul-wahab-bugti.jpg "Come join us on this journey of friendship, love, and betrayal #CokeStudio #Season14 #KanaYaari<br/><br/>Listen on Spotify: https://spoti.fi/3o3oPx5<br/><br/><br/>Coke Studio 14<br/>Curated & Produced by Xulfi<br/><br/>Song Narrative: Kaifi Khalil<br/>Composed by Kaifi Khalil<br/>Written by Kaifi Khalil, Eva B, Wahab Bugti<br/>Music Arranged & Produced by Abdullah Siddiqui, Xulfi, Arsalan Hasan, Sherry Khattak<br/>Mixed by Xulfi<br/><br/>Artist<br/><br/>Kaifi Khalil- Vocals<br/>Eva B - Vocals<br/>Wahab Bugti - Vocals / Damboora<br/>Ameer Buksh - Dambora<br/>Arsalan Hassan - Keys<br/>Kami Paul - Drums<br/>Mairah Khan - Balalaika<br/>Payam Mashrequi - Synth<br/>Omair Farooq - Synth Bass<br/>Haroon Daniel - Octapad<br/>Veeru Shan - Percussions<br/><br/>Produced By GIRAFFE PAKISTAN<br/><br/>Executive Producer: Muhammad Ibrahim<br/>Creative & Project Head: Wajeeha Badar<br/>Creative Manager: Sherry Khattak<br/>Creative Manager: Zahra Aamer<br/>Operations Manager: Saad Mansoor<br/>Creative Associate: Sarah Aminuddin<br/>Creative Associate: Seemab Saqib Khan<br/>Sound Squad Coordinator: Shahrukh Khattak<br/>On-Ground Coordinator: Abdullah Khan<br/><br/>Sound Squad<br/><br/>Chief Sound Engineer: Ishaq Nazir<br/>Audio Electrical Engineer: Muhammad Saifullah<br/>Senior Audio Engineer: Sherry Khattak<br/>Senior Recording Engineer: Turaab Khan<br/>Audio Networking Engineer: Omair Farooq<br/>Audio Engineer: Payam Mashrequi<br/>Audio Engineer: Zyad Ahmed Tariq<br/>Audio Engineer: Malik Arslan<br/>Audio Engineer: Asad Khan (Psydfx)<br/>Monitoring Assistant: Yashwa Ayub<br/>Senior Monitoring Engineer: Haider Ali<br/>Senior Monitoring Engineer: Roger John<br/>Senior Monitoring Engineer: Saqlain Majeed<br/>Audio Assistant: David Joseph<br/><br/>Talent Management<br/><br/>Adil Naeem<br/>Shahdad Karim<br/>Ahsan Aziz<br/>Jahanzeb Kalmati<br/>Sheraz Farooqui<br/>Faisal Rafiq<br/><br/><br/><br/>Think Tank<br/><br/>Zulfiqar Jabbar Khan (Xulfi)<br/>Murtaza Niaz<br/>Abdullah Siddiqui<br/>Natasha Noorani<br/>Adnan Dhool<br/>Sherry Khattak<br/><br/>Line Production<br/>Qamber Ali (Celcius)<br/>Mir Mehmood Ahmed Halepota (Celcius)<br/><br/><br/><br/><br/><br/><br/><br/>Video Production <br/><br/>Director: Jamal Rahman<br/><br/>Producer: Samiya Ansari<br/><br/>Video Production Company: Monkey Mind Films<br/><br/>Associate Producer: Carol Noronha<br/><br/>Cinematographer: Aamir Mughal<br/><br/>Assistant Directors: Ubaid Aamir Temuri<br/><br/>Art Director: Hashim Ali<br/><br/>Set Designer: Mahina Reki<br/><br/>Set Construction: Nauman Kashif at Art Revolver<br/><br/>Set Team: <br/>Salman Arif<br/>Muhammed Shehzad<br/>Aman Niazi<br/>Muneeb Iftakhar<br/><br/>Wardrobe Designer: Samiya Ansari<br/><br/>Wardrobe Assistant: Jibrael Hassan<br/><br/>Hair & Make-up: Shammal Qureshi at Toni & Guy<br/><br/>Gaffers: Asif Hasan, Fahim at Studio 146<br/><br/>Focus Pullers: Zeeshan Saeed<br/><br/>Camera & DIT: Studio 146<br/><br/>Steadicam Operator: Faraz Alam<br/><br/>Steadicam Assistant: Dilawar Ali Shah<br/><br/>Choreographer<br/>Danny Daniel Davies<br/><br/>Lights: MediaLine<br/><br/>Light Team:<br/>Bilal shah <br/>Ghufran shYkh<br/>Arbaz sabzwari<br/>Umer faiyaz<br/>Shariq ayub<br/>Amir ali<br/>Shan kamran<br/>Akmal khan<br/>Zuabir lodhi<br/>Bilal khan<br/>Saif ali<br/>Tanveer khan<br/>Mehtab mallah<br/><br/>Transport<br/>Saleem Jalal Transport<br/><br/>Post: <br/>Editing: Jamal Rahman<br/>Colorist: Wahab Danka<br/>Cleanups: Post Fusion<br/><br/>Transport<br/>Al Alam Rentals<br/>Bukhari Travels<br/><br/>Catering<br/>Ronaq<br/><br/>Photography: Nadir Firoz Khan<br/><br/>BTS (O Dimension)<br/>Producer(BTS): Moiz Qazi <br/>Associate Producer (BTS): Am")
_white-gold-124-omeleto.jpg "A woman with albinism wants revenge after a witch doctor hacks off her arm.<br/><br/><br/>WHITE GOLD is used with permission from Luke Bradford. Learn more at https://lukebradford.com.<br/><br/><br/>Mansa, a woman living with albinism in a village, set in an unnamed country in Africa. She lost one of her hands at an earlier age to the predations of a witch doctor named Natron, who mutilated her for his potions.<br/><br/>Mansa has had to live with the aftereffects of the violence, neglecting her work as a teacher and her role in the community. She is consumed with the idea of getting back at the man who treated her so inhumanely. She enlists her father to pose as a potential client to Natron, luring the witch doctor out of his home, where she can exact her revenge.<br/><br/>Written and directed by Luke Bradford, this Oscar-longlisted short thriller offers a propulsive, dynamic take on the plights of individuals with albinism in many African countries, who are believed by witch doctors to have magical properties and who hunt people with albinism down, mutilating them. It generates compelling suspense in following the plight of Mansa, who seeks revenge on the witch doctor and gets inside the headspace of someone traumatized by violence, who can't seem to shake its aftereffect.<br/><br/>The subject matter will be difficult and shocking to many, and through its energetic pace and vivid, dazzling visuals, the film offers a visceral and powerful way to enter into the issue and tap into the profound injustice of it all. We also get glimpses of the albinism community, and the way they must band together to feel accepted and safe -- and are set apart from mainstream life.<br/><br/>The narrative covers a lot of ground, needing to quickly establish the cultural context, relationships and characters. It crams a feature's worth of events into the short format, juggling many story elements, though it takes more time in a slightly slower, more internal middle section exploring Mansa's trauma and the way that resentment has twisted her emotions. <br/><br/>Actor Refilwe Modiselle's performance captures how the inhumanity she faced has scarred her, twisting her emotions into a bitter resentment and rage at what happened to her. But actor Aubrey Mmakola's performance as the witch doctor Natron captures the true horror of the plight of Mansa and others with albinism. Natron looks at Mansa in their re-encounter and sees nothing but a commodity, and the matter-of-factness of his dehumanization of her is chilling, pushing Mansa to the brink in an explosive climax.<br/><br/>It's tempting to think of the idea of mutilating people with albinism as savage, superstitious and barbaric, and not go deeper into why such practices persist in the cultures that hold these beliefs. But WHITE GOLD has a slight twist at its conclusion, one that offers some subtle commentary on why these beliefs persist. In some ways, the ending is even more disturbing than it appears at first because it demonstrates how deeply embedded such ideas are into the social fabric, and how poverty and a lack of options contribute to their endurance, despite education, morality or notions of human decency. The injustice at the heart of WHITE GOLD is clear, but the solution will be much more complicated to put in place.")
_the-heavenly-idol-2023-episode-2-eng-sub.jpg "Comedy, Romance, Drama, Fantasy<br/>Follow us<br/>Korean Drama")
_star-chaser-movie.jpg "Star Chaser Movie Trailer HD - Plot synopsis:From the Director and Producers of the award winning BILAL: A NEW BREED OF HERO comes a very modern adventure.<br/><br/>STAR CHASER - Escaping the destruction of her home world, Ajwan embarks on an interplanetary journey to overcome the loss of her family, while a nefarious organization slowly acquires power across the galaxy.<br/><br/>A story that empowers young girls and women, and inspire people around the world.<br/><br/>Director <br/>Ayman Jamal<br/><br/>Producers<br/>Arif Jilani, Ayman Jamal<br/><br/>Writers <br/>Ranna Atouf, Manna Bin Amro<br/><br/>Cast<br/>Jennifer Sun Bell, Brian Nix, Heather Gonzalez, Daniel Zbel, Kelley Buttrick")
_otd-in-space-may-14-nasa-launches-1st-skylab-space-station.jpg "On May 14, 1973, NASA launched Skylab, the first American space station. <br/><br/>Skylab orbited Earth for six years and supported three crewed missions during which astronauts conducted hundreds of science experiments. Skylab was considered a success overall, but it got off to a pretty rocky start. It lifted off on a Saturn V rocket from Pad 39A at Kennedy Space Center in Florida. About a minute into the launch, its micrometeoroid shield accidentally deployed and flew off, and it took out one of the solar panels along the way. Debris from that accident then got stuck in another solar array and jammed it shut, leaving Skylab without any solar power. Thankfully, it still had fuel cells to keep it barely running until astronauts could come to save the day. But to make matters worse, the missing micrometeoroid shield was also designed to be a heat shield, so Skylab was getting dangerously hot. The first crewed Skylab mission arrived 12 days later with a new replacement heat shade, and they were able to fix the jammed solar panel and get the station up and running.")
_arcade-1993-original-cgi-version-title-card-italian-vhs-version.jpg "Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for \")
_lord-of-all-lords-shengzu-ep-18-eng-sub.webp "This is Investiture of the Gods' newly developed universe. Yang Jian, Su Daji, Jiang Ziya, and King Zhou will all receive new definitions. With the motto \")
_the-eight-mountains-2022.webp "The Eight Mountains (Italian: Le otto montagne) is a 2022 drama film co-directed by Felix van Groeningen and Charlotte Vandermeersch, who co-adapted the screenplay from the novel of the same name by Paolo Cognetti. The film depicts a friendship between two men who spend their childhood together in a remote Alpine village and reconnect later as adults. The title is a reference to the concept in Buddhism and ancient Indian cosmology that the world is composed of nine mountains and eight seas, specifically eight concentric circular mountain ranges separated from one another by eight seas, with the ninth and tallest mountain, Mount Meru, at the center.")
_coke-studio-124-season-14-124-kana-yaari-124-kaifi-khalil-x-eva-b-x-abdul-wahab-bugti.webp "Come join us on this journey of friendship, love, and betrayal #CokeStudio #Season14 #KanaYaari<br/><br/>Listen on Spotify: https://spoti.fi/3o3oPx5<br/><br/><br/>Coke Studio 14<br/>Curated & Produced by Xulfi<br/><br/>Song Narrative: Kaifi Khalil<br/>Composed by Kaifi Khalil<br/>Written by Kaifi Khalil, Eva B, Wahab Bugti<br/>Music Arranged & Produced by Abdullah Siddiqui, Xulfi, Arsalan Hasan, Sherry Khattak<br/>Mixed by Xulfi<br/><br/>Artist<br/><br/>Kaifi Khalil- Vocals<br/>Eva B - Vocals<br/>Wahab Bugti - Vocals / Damboora<br/>Ameer Buksh - Dambora<br/>Arsalan Hassan - Keys<br/>Kami Paul - Drums<br/>Mairah Khan - Balalaika<br/>Payam Mashrequi - Synth<br/>Omair Farooq - Synth Bass<br/>Haroon Daniel - Octapad<br/>Veeru Shan - Percussions<br/><br/>Produced By GIRAFFE PAKISTAN<br/><br/>Executive Producer: Muhammad Ibrahim<br/>Creative & Project Head: Wajeeha Badar<br/>Creative Manager: Sherry Khattak<br/>Creative Manager: Zahra Aamer<br/>Operations Manager: Saad Mansoor<br/>Creative Associate: Sarah Aminuddin<br/>Creative Associate: Seemab Saqib Khan<br/>Sound Squad Coordinator: Shahrukh Khattak<br/>On-Ground Coordinator: Abdullah Khan<br/><br/>Sound Squad<br/><br/>Chief Sound Engineer: Ishaq Nazir<br/>Audio Electrical Engineer: Muhammad Saifullah<br/>Senior Audio Engineer: Sherry Khattak<br/>Senior Recording Engineer: Turaab Khan<br/>Audio Networking Engineer: Omair Farooq<br/>Audio Engineer: Payam Mashrequi<br/>Audio Engineer: Zyad Ahmed Tariq<br/>Audio Engineer: Malik Arslan<br/>Audio Engineer: Asad Khan (Psydfx)<br/>Monitoring Assistant: Yashwa Ayub<br/>Senior Monitoring Engineer: Haider Ali<br/>Senior Monitoring Engineer: Roger John<br/>Senior Monitoring Engineer: Saqlain Majeed<br/>Audio Assistant: David Joseph<br/><br/>Talent Management<br/><br/>Adil Naeem<br/>Shahdad Karim<br/>Ahsan Aziz<br/>Jahanzeb Kalmati<br/>Sheraz Farooqui<br/>Faisal Rafiq<br/><br/><br/><br/>Think Tank<br/><br/>Zulfiqar Jabbar Khan (Xulfi)<br/>Murtaza Niaz<br/>Abdullah Siddiqui<br/>Natasha Noorani<br/>Adnan Dhool<br/>Sherry Khattak<br/><br/>Line Production<br/>Qamber Ali (Celcius)<br/>Mir Mehmood Ahmed Halepota (Celcius)<br/><br/><br/><br/><br/><br/><br/><br/>Video Production <br/><br/>Director: Jamal Rahman<br/><br/>Producer: Samiya Ansari<br/><br/>Video Production Company: Monkey Mind Films<br/><br/>Associate Producer: Carol Noronha<br/><br/>Cinematographer: Aamir Mughal<br/><br/>Assistant Directors: Ubaid Aamir Temuri<br/><br/>Art Director: Hashim Ali<br/><br/>Set Designer: Mahina Reki<br/><br/>Set Construction: Nauman Kashif at Art Revolver<br/><br/>Set Team: <br/>Salman Arif<br/>Muhammed Shehzad<br/>Aman Niazi<br/>Muneeb Iftakhar<br/><br/>Wardrobe Designer: Samiya Ansari<br/><br/>Wardrobe Assistant: Jibrael Hassan<br/><br/>Hair & Make-up: Shammal Qureshi at Toni & Guy<br/><br/>Gaffers: Asif Hasan, Fahim at Studio 146<br/><br/>Focus Pullers: Zeeshan Saeed<br/><br/>Camera & DIT: Studio 146<br/><br/>Steadicam Operator: Faraz Alam<br/><br/>Steadicam Assistant: Dilawar Ali Shah<br/><br/>Choreographer<br/>Danny Daniel Davies<br/><br/>Lights: MediaLine<br/><br/>Light Team:<br/>Bilal shah <br/>Ghufran shYkh<br/>Arbaz sabzwari<br/>Umer faiyaz<br/>Shariq ayub<br/>Amir ali<br/>Shan kamran<br/>Akmal khan<br/>Zuabir lodhi<br/>Bilal khan<br/>Saif ali<br/>Tanveer khan<br/>Mehtab mallah<br/><br/>Transport<br/>Saleem Jalal Transport<br/><br/>Post: <br/>Editing: Jamal Rahman<br/>Colorist: Wahab Danka<br/>Cleanups: Post Fusion<br/><br/>Transport<br/>Al Alam Rentals<br/>Bukhari Travels<br/><br/>Catering<br/>Ronaq<br/><br/>Photography: Nadir Firoz Khan<br/><br/>BTS (O Dimension)<br/>Producer(BTS): Moiz Qazi <br/>Associate Producer (BTS): Am")
_white-gold-124-omeleto.webp "A woman with albinism wants revenge after a witch doctor hacks off her arm.<br/><br/><br/>WHITE GOLD is used with permission from Luke Bradford. Learn more at https://lukebradford.com.<br/><br/><br/>Mansa, a woman living with albinism in a village, set in an unnamed country in Africa. She lost one of her hands at an earlier age to the predations of a witch doctor named Natron, who mutilated her for his potions.<br/><br/>Mansa has had to live with the aftereffects of the violence, neglecting her work as a teacher and her role in the community. She is consumed with the idea of getting back at the man who treated her so inhumanely. She enlists her father to pose as a potential client to Natron, luring the witch doctor out of his home, where she can exact her revenge.<br/><br/>Written and directed by Luke Bradford, this Oscar-longlisted short thriller offers a propulsive, dynamic take on the plights of individuals with albinism in many African countries, who are believed by witch doctors to have magical properties and who hunt people with albinism down, mutilating them. It generates compelling suspense in following the plight of Mansa, who seeks revenge on the witch doctor and gets inside the headspace of someone traumatized by violence, who can't seem to shake its aftereffect.<br/><br/>The subject matter will be difficult and shocking to many, and through its energetic pace and vivid, dazzling visuals, the film offers a visceral and powerful way to enter into the issue and tap into the profound injustice of it all. We also get glimpses of the albinism community, and the way they must band together to feel accepted and safe -- and are set apart from mainstream life.<br/><br/>The narrative covers a lot of ground, needing to quickly establish the cultural context, relationships and characters. It crams a feature's worth of events into the short format, juggling many story elements, though it takes more time in a slightly slower, more internal middle section exploring Mansa's trauma and the way that resentment has twisted her emotions. <br/><br/>Actor Refilwe Modiselle's performance captures how the inhumanity she faced has scarred her, twisting her emotions into a bitter resentment and rage at what happened to her. But actor Aubrey Mmakola's performance as the witch doctor Natron captures the true horror of the plight of Mansa and others with albinism. Natron looks at Mansa in their re-encounter and sees nothing but a commodity, and the matter-of-factness of his dehumanization of her is chilling, pushing Mansa to the brink in an explosive climax.<br/><br/>It's tempting to think of the idea of mutilating people with albinism as savage, superstitious and barbaric, and not go deeper into why such practices persist in the cultures that hold these beliefs. But WHITE GOLD has a slight twist at its conclusion, one that offers some subtle commentary on why these beliefs persist. In some ways, the ending is even more disturbing than it appears at first because it demonstrates how deeply embedded such ideas are into the social fabric, and how poverty and a lack of options contribute to their endurance, despite education, morality or notions of human decency. The injustice at the heart of WHITE GOLD is clear, but the solution will be much more complicated to put in place.")
_the-heavenly-idol-2023-episode-2-eng-sub.webp "Comedy, Romance, Drama, Fantasy<br/>Follow us<br/>Korean Drama")
_star-chaser-movie.webp "Star Chaser Movie Trailer HD - Plot synopsis:From the Director and Producers of the award winning BILAL: A NEW BREED OF HERO comes a very modern adventure.<br/><br/>STAR CHASER - Escaping the destruction of her home world, Ajwan embarks on an interplanetary journey to overcome the loss of her family, while a nefarious organization slowly acquires power across the galaxy.<br/><br/>A story that empowers young girls and women, and inspire people around the world.<br/><br/>Director <br/>Ayman Jamal<br/><br/>Producers<br/>Arif Jilani, Ayman Jamal<br/><br/>Writers <br/>Ranna Atouf, Manna Bin Amro<br/><br/>Cast<br/>Jennifer Sun Bell, Brian Nix, Heather Gonzalez, Daniel Zbel, Kelley Buttrick")
_otd-in-space-may-14-nasa-launches-1st-skylab-space-station.webp "On May 14, 1973, NASA launched Skylab, the first American space station. <br/><br/>Skylab orbited Earth for six years and supported three crewed missions during which astronauts conducted hundreds of science experiments. Skylab was considered a success overall, but it got off to a pretty rocky start. It lifted off on a Saturn V rocket from Pad 39A at Kennedy Space Center in Florida. About a minute into the launch, its micrometeoroid shield accidentally deployed and flew off, and it took out one of the solar panels along the way. Debris from that accident then got stuck in another solar array and jammed it shut, leaving Skylab without any solar power. Thankfully, it still had fuel cells to keep it barely running until astronauts could come to save the day. But to make matters worse, the missing micrometeoroid shield was also designed to be a heat shield, so Skylab was getting dangerously hot. The first crewed Skylab mission arrived 12 days later with a new replacement heat shade, and they were able to fix the jammed solar panel and get the station up and running.")
_arcade-1993-original-cgi-version-title-card-italian-vhs-version.webp "Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for \")
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