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Blackmagic Design: eyeon Fusion and what the acquisition means
⏲ 3 min 24 sec ✓ 03-Oct-2014
Abstract Slideshow
⏲ 60 sec ✓ 24-Mar-2014
emFlock2 v.2.0 (alpha) - \
⏲ 1 min 50 sec ✓ 17-Feb-2011
Wojtek Zankowski - VFX Showreel
⏲ 95 sec ✓ 04-Apr-2013
Houdini Destruction to V-Ray
⏲ 7 sec ✓ 02-Dec-2014
Nicolas Sauval Student FX Reel 2014
⏲ 62 sec ✓ 31-Mar-2014
Elements: The Making of 'V&S'
⏲ 7 min 1 sec ✓ 02-Oct-2011
FORMv2 horsehorse
⏲ 12 sec ✓ 06-Aug-2011
RnD CG Water
⏲ 14 sec ✓ 21-Dec-2010
Particles 3 - 60s - 2kres - FREE STOCK FOOTAGE
⏲ 70 sec ✓ 27-Mar-2013
Element3D V2 + X-Particles 3 Test
⏲ 16 sec ✓ 09-Dec-2014
Josh Hatton - CG Reel 2012
⏲ 1 min 22 sec ✓ 21-Feb-2012
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_emflock2-v-2-0-alpha-92.jpg "Two and a half minutes showing a bunch of particles that flock and morphnusing the new emFlock2 release and the newly integrated")
_blackmagic-design-eyeon-fusion-and-what-the-acquisition-means.webp "Stuart Ashton, Director Blackmagic Design, EMEA, talks about the eyeon Fusion acquisition by Blackmagic and what this means for the future. nnFusion 7 is one of Hollywoods leading visual effects compositing and motion graphics tools and has been used on thousands of feature film and television projects. Most recently, Fusion 7 has been used on feature films like Maleficent, Edge of Tomorrow, Sin City: A Dame to Kill For, The Amazing Spiderman 2, Captain America, Gravity and more.nnFusion provide")
_abstract-slideshow.webp "download template http://videohive.net/item/abstract-slideshow/7208227?ref=harassnnTEGSnphoto video image album boxes broadcast business clean corporate displays elegant gray portfolio presentation promotion smooth white")
_emflock2-v-2-0-alpha-92.webp "Two and a half minutes showing a bunch of particles that flock and morphnusing the new emFlock2 release and the newly integrated")
_wojtek-zankowski-vfx-showreel.webp "Biography:nnI’m specialised in VFX technical direction having strong CGI-oriented maths and physics knowledge and I am confident in the look development of all visual effects. In my career, I've solely performed full CGI projects and leaded a number of group projects, ranging from 3 - 40 teammates, in areas of film, animation and programming. Through these, I've gained strong skills in direction, production, group leading and cinematography.nnSkills: Houdini, Maya, 3ds Max, Nuke, Photoshop, Ma")
_houdini-destruction-to-v-ray.webp "Houdini Destruction Geometry, Debris and Particles all exported to Alembic files and loaded into V-Ray in 3DS Max as Proxy objects. Multi-subobject grouping works using following format ( _0,_1,_2,_3).Pyro simulation was converted to VDB and then VDB files loaded into PhoenixFD. All rendered in one pass with full GI, motion blur, DOF. I used V-Ray sun and sky as lighting. Average render frame time was about 15mins.")
_nicolas-sauval-student-fx-reel-2014.webp "Description of the shots (All the FumeFx shot are rendered with Scanline Render or V-Ray):nn1/2 - 3Dsmax / FumeFx / After EffectnnI do this test after I saw a tutorial of VideoCopilot, I really wanted to do this explosion to nnconfirm my FumeFx skills before I switch to Maya.nn3 - Maya / Krakatoa / NukennThis shot was my first personal shot rendering with Krakatoa, I used a test of Maya Fluids who nndrives nparticle for a school project and adapted it to played with Krakatoa.nn4 - 3Dsmax / FumeF")
_elements-the-making-of-39vamps39.webp "This is the making of CG short film 'Vehicles & Streets' (2011) created by Z-blur team. nnStills & more: http://www.behance.net/gallery/Elements-The-Making-of-V-S/2249196nnThe completed short is here: vimeo.com/29836774nnElement One: STORYBOARD AND PRE-VISUALIZATION - 00:16nElement Two: TEXTURES, SHADERS, CONCEPT ARTS AND DESIGN - 00:57nElement Three: 3D MODELING AND TEXTURING - 02:06nElement Four: MATTE PAINTING - 04:22nElement Five: DYNAMIC SIMULATIONS OF VEHICLE BEHAVIOR - 04:45nEleme")
_formv2-horsehorse.webp "Trapcode Form 2.0 nntest of OBJ sequence + Textured Polygon particlesnnNotice that vertex normals from the OBJ are used to orient the particles. Form 2 uses vertex normals (for Textured Polygons) if they exist in the OBJ - this can usually be specified on export.")
_rnd-cg-water.webp "This is just a simple test with Realflow and Krakatoa. The Realflow simulation contains 10 million particles and took about 2 days to simulate on a 8 core with 24 gig ram. In addition irendered the particles with Krakatoa with a 'color by vorticity' KCM setup to get the foam & spray. The beauty pass is rendered with Vray.nnnwww.storzescherich.de")
_particles-3-60s-2kres-free-stock-footage.webp "Shot on RED One at 2K Resolution by Mitch Martinez (www.mitchmartinez.com)nClick the")
_element3d-v2-x-particles-3-test.webp "First test of importing animated particles/meshes, made with X-Particles in C4D into Element3D V2.nnCached and skinned in XP3 (beta), baked out into a sequence and imported into E3D for shading and rendering.nnTexture is sliding in this one but I think I already got that fixed, will show the workflow for it in a future video. Took a while to find the best workflow but now I'm set. nnBaked out sequence from c4d: 6GB, with the last frame being 50MB big (and taking a while to load into E3D). Howeve")
_josh-hatton-cg-reel-2012.webp "Josh HattonnCommercial and Film VFXnShot BreakdownnnnL&MnCommercial spot of CG fiber optics done with Houdini and MantrannWrigley’s GumnAs Commercial Lead, particle effects done with Houdini and MantrannThe Day The Earth Stood StillnDust fluid sim, nanoswarm particle effects, debris in Maya.ntnn300nExplosive particle effects and debris, just a small part of what I did on that film as lead fx artistnnAVP: RequiemnNuclear blast effects done with Maya Fluids, volume shaders, and particles.H")
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