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For more than a decade Matt Tullett has been filming a diverse range of content for a number of creative clients, production companies and broadcasters in the UK.nnMatt’s footage has appeared on regional BBC1, regional ITV, and other cable and satellite channels.nnHe has experience in portable single camera (PSC) filming, studio operating, outside broadcast rigging,RF camera operating and live-event multi-camera; including a stint as camera supervisor at the Millennium Dome (O2 Arena).nnMatt
Showreel - Matt Tullett
⏲ 2 min 35 sec ✓ 10-Dec-2010
According to the documentation the Red Epic can accept an external TTL pulse as a sync input.What happens is that when a the voltage on the “Sync in” pin of the 4 pin lemo “Sync” Socket rises past 3.3V then the camera takes a picture at the present frame rate. nnThe theory runs that if you set the camera to 25fps then the camera will take a picture with a 1/50th of a second exposure whenever a pulse is sent.According to the documentation this will work at up to half the framera
Red Epic Camera being driven from Kuper 6.25 fps
⏲ 40 sec ✓ 07-May-2012
The Bike Hand Bicycle/Bike Repair Rack Stand is currently the number 1 seller on Amazon and I bought it back in December, then I won the Park Tool PSC 9 stand at a bike event. Which one is better? Should you go with the trusted name brand of Park Tool or go the cheaper route with mainly plastic Bike Hand model? nnBike Hand Bike Stand: https://amzn.to/2N0SV4dnPark Tool PCS 9: https://amzn.to/2FkbXMsnPark Tool PCS 9.2: https://amzn.to/2MYuzb6nnWH3R3 TO FIND ME ON THE WEB:nInstagram: https://www.in
Bike Hand vs Park Tool - Bike Stand Reviews
⏲ 2 min 61 sec ✓ 21-Jun-2019
This was a very successful competition VT I directed for The X-Factor on ITV1.Involved directing PSC camera crew shooting at judge's house location in Mexico.
The X Factor - Competition
⏲ 78 sec ✓ 12-Jun-2015
According to the documentation the Red Epic can accept an external TTL pulse as a sync input.What happens is that when a the voltage on the “Sync in” pin of the 4 pin lemo “Sync” Socket rises past 3.3V then the camera takes a picture at the present frame rate. nnThe theory runs that if you set the camera to 25fps then the camera will take a picture with a 1/50th of a second exposure whenever a pulse is sent.According to the documentation this will work at up to half the framera
Red Epic Camera being driven from Kuper 25fps
⏲ 21 sec ✓ 07-May-2012
*NOTE: New camera! Blip denial.  But Vimeo is in!*nWhat’s OFF the needles (YAY!) – Devon by Cookie A (Sock Innovation). BMF STR Lightweight in Knitters without Borders Size 1 ½ 2.5 mm Addi Turbos. nWhat’s on the needles still -Vilai by Cookie A. BMF STR Lightweight in Titania Size 1 2.25 mm Hiya Hiya needles nBakktus Scarf Strikkelise http://www.flickr.com/photos/norwayneedles/2963651011nWhat’s on the Nails & Nail Swag Combining both the swag portion and the what’s on the nai
Episode 2 - The One With The Squee And The Swag
⏲ 45 min 41 sec ✓ 25-Feb-2013
According to the documentation the Red Epic can accept an external TTL pulse as a sync input.What happens is that when a the voltage on the “Sync in” pin of the 4 pin lemo “Sync” Socket rises past 3.3V then the camera takes a picture at the present frame rate. nnThe theory runs that if you set the camera to 25fps then the camera will take a picture with a 1/50th of a second exposure whenever a pulse is sent.According to the documentation this will work at up to half the framera
Red Epic Camera being driven from Kuper 25fps Two Passes Mixed
⏲ 21 sec ✓ 07-May-2012
According to the documentation the Red Epic can accept an external TTL pulse as a sync input.What happens is that when a the voltage on the “Sync in” pin of the 4 pin lemo “Sync” Socket rises past 3.3V then the camera takes a picture at the present frame rate. nnThe theory runs that if you set the camera to 25fps then the camera will take a picture with a 1/50th of a second exposure whenever a pulse is sent.According to the documentation this will work at up to half the framera
Red Epic Camera being driven from a Cinematography Electronics PSC 1fps
⏲ 44 sec ✓ 07-May-2012
PSC Companywide Live from psc camera
PSC Companywide Live
⏲ 9 min 58 sec ✓ 31-Jan-2012
I am a Director/Technical Operator based in Manchester. I have professional experience working in live news and sports debate programmes, also in music and entertainment shows. I have a broad range of skills including editing, studio lighting, gallery PA, vision mixing, studio camera, scheduling, VT operator and PSC, ENG camera work.
Robert Porter Showreel
⏲ 1 min 77 sec ✓ 14-Jun-2010
Several time-lapses shot in Connecticut with the Sigma 30mm f1.4 Contemporary lens mounted to aSony Alpha a6000. A Manfrotto tripod was used to steady the camera. nnMusic by Safakash: Deep Inside nhttps://soundcloud.com/safakashnhttps://soundcloud.com/safakash/deep-insidennThanks for watching. Feel free to post questions and/or comments about any of the gear or techniques I use and I'll do my best to respond in a timely manner!nnCamera ($528): https://www.amazon.com/dp/B00I8BICCG/ref=twister_B
Every Day: A Time-Lapse Per Day
⏲ 1 min 35 sec ✓ 04-Jan-2017
According to the documentation the Red Epic can accept an external TTL pulse as a sync input.What happens is that when a the voltage on the “Sync in” pin of the 4 pin lemo “Sync” Socket rises past 3.3V then the camera takes a picture at the present frame rate. nnThe theory runs that if you set the camera to 25fps then the camera will take a picture with a 1/50th of a second exposure whenever a pulse is sent.According to the documentation this will work at up to half the framera
Red Epic Camera being driven from a Cinematography Electronics PSC 12.5FPS
⏲ 45 sec ✓ 07-May-2012
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