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Video by Barbora Horska.n.nFinissage: 12 August, 7 -10 PMnExhibition: 13 - 28 AugustnVernissagetransforming the gallery space into “elsewhere space”, or “somewhere space”.nnIn its physical presentation, the artwork questions the definition of polarity and the perception of time. Although it is aiming to decentralize our geographical positions and alienate the viewer from the defined perceptions, this xeno-realistic interaction in space is primarily a conversation about East and West po

Moving Forward In Reverse Time With drawkcaB Compass

⏲ 93 sec ✓ 07-Sep-2020

The theoretical exploration of this work was informed by Maya Deren's notion of chamber music, which describes it not only as a form, but

⏲ 5 min 41 sec ✓ 14-Aug-2012

Reference List:Cava332: Annotated Bibliographynnn1.tCroft, Brenda, (ed) 2009, Culture Warriors: Australian Indiginous Art Triennial, National Gallery of Australia, Parkes, ACT.n Culture Warriors, is the catalogue for an exhibition that marks the anniversary of the National Art Gallery of Australia, coinciding with the anniversaries of NAIDOC, and the 1967 referendum which resulted in the inclusion of Indigenous Australians in the Australian census. The ongoing theme of the exhibition is the

⏲ 4 min 23 sec ✓ 30-Oct-2013

Risk Capitaln2011nSite specific installationnHD Video, PAL, 16:9, 00:03:29, with original audio; two original safes; two pairs original keys; two frames(25,3 / 25,3 / 4,5 см) eachnProduced by UniCredit Studio SofianCourtesy of the author nnAtthe center of the project is the idea of regulating the relationship between artist and institution and in particular the Bank institution. The nature of matter with which the Artist and the Bank work is defiantly different at first glance. My goal in

⏲ 2 min 10 sec ✓ 01-Jul-2012

http://williamfields.com - http://noremixes.comnnWilliam Fields, ½ of the improvisational duo Beck-Fields, releases his first solo album for NOREMIXES. coords, however, is not your typical studio creation; it is an immersive A/V generative experience redefining our sensory reaction to composition and production. “I am hoping to create a synesthetic experience,” explains Fields, “where the music and visuals become one inseparable thing in the listener’s mind and generates a sense of wond

William Fields - Coords

⏲ 14 min 7 sec ✓ 01-Jun-2017

BERGAMO SCIENZA 2013,Porta St Agostino, BergamonnSPA(E)CIOUS is a form of collaborative peripatetic practice,where produced and shared knowledge informs the artist’s creative process. It creates the physical and psychological conditions to enhance anawareness of the perception – and illusion – of time and space in the present. This artistic participatoryinstallation is based on the multidisciplinary approach the project Rockfluid (funded by the Arts Council of England), from a coll

Spa(e)ciousBergamoScienza

⏲ 10 min 71 sec ✓ 02-Mar-2015

ARTE - AUGMENTED REALITYTECHNOLOGY EXPERIENCE nnCreative digital technologies have set the foundations of the whole landscape of the whole system of cultural offer: the Museums, considered mostly up to the past decade “Temples of the Art”, today are ready to become sensible organisms capable of introducing new paradigms of interaction/fruition in the relationship between Visitor/Artwork.nnIn this new scenario, with the birth of the Information Society guided by the development of the new I

ARTE FLIGHT THROUGH

⏲ 1 min 33 sec ✓ 18-Jul-2013

The decorative principle is fundamental in art.Several artists continue to explore the power imbued to visual form by its ornamental characteristics. These properties evoke certain sensations in the viewer through the entire composition of the work: colors, lines, shapes, and their relationships. This understanding of ornament as a vital component of expression in artistic production subverts its more accepted definition as an external addition to a work, a mere embellishment.nThe first attr

Who's Afraid of Ornament narrated by James Kalm (aka Loren Munk)

⏲ 2 min 44 sec ✓ 16-Jul-2015

Life has many definitions. Today it is usually identified with the processes of transferring and preservinginformation/knowledge/. However life can be also interpreted, paraphrasing words by S.Semotiuk’s, as the way in which space exists, and vice versa; space might be treated as the way in which life exists. This definition became a motto for my artistic investigations examining relations between micro and macro scales of our existence. I choose the protein molecule, named the basic brick o

Joanna Hoffmann (PL) - Hidden topology of being (the sublime and protein molecule)

⏲ 11 min 98 sec ✓ 31-Dec-2012

While Urban Lines has no true storyline and indeed does not tell a story, it does, however, have a sense, a development of meanings created by the expressive power of images and sounds. Although its starting point is the concrete reality of the journey, it actually represents an interior journey.nThe spaces of a huge and far away contemporary metropolis, the skyscrapers and the streets crowded with masses of people moving chaotically, progressively lose their concrete contours and transform them

Urban Lines ENG

⏲ 9 min 8 sec ✓ 21-Mar-2016

The project comprises a web of overhead wiring for electric transport mounted upon the ceiling of the exposition space, concrete blocks and website. The title

Daniil Galkin - Remote Administration Tool

⏲ 85 sec ✓ 22-Nov-2015

'Monstruo de Agua' (2023) on Nowness from artistic definition of form

'Monstruo de Agua' (2023) on Nowness

⏲ 3 min 85 sec ✓ 23-Oct-2023

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