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Election merchandise production hits full throttle as India prepares to vote
⏲ 2:14 👁 2.1M
Saree Weaving High Speed Rapier Loom 160 cm - 62inch pan a
⏲ 1 minute 3 seconds 👁 316.3K
HOW TO MAKE TANT SAREE IN POWER LOOM| তাঁতের শাড়ি তৈরির পদ্ধতি | SAREE OF WEST BENGAL |
⏲ 12 minutes 13 seconds 👁 1.4M
Yabani Episode 1
⏲ 1:1:58 👁 185K
Traditional Weaving Process in Power Loom
⏲ 8 minutes 4 seconds 👁 221.2K
Banarasi Saree Making Process ।। Computer Embroidery Designs
⏲ 11 minutes 6 seconds 👁 8.7M
The Perfect TenantEpisode 3 Part 4
⏲ 9:26 👁 20K
atpoure saree porar style | banarasi silk saree for wedding | reception look for bride in saree
⏲ 8 minutes 41 seconds 👁 2.3M
বিয়ে বাড়ি শাড়ী পরা নিউ স্টাইলস | Atpoure Bridal Saree Draping | Bengali Style Saree Draping
⏲ 7 minutes 21 seconds 👁 2.8M
EVIDENCE 2: The Most Brutal and Barbaric Case of Digital Tampering Ever Done!
⏲ 6:14 👁 15K
Inside a Hand Loom Weaving Factory
⏲ 8 minutes 15 seconds 👁 715.9K
Santipur Tant Sarees power Loom | Jamdani saree making in Dropbox Loom | Hand Loom
⏲ 8 minutes 7 seconds 👁 73.4K
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_election-merchandise-production-hits-full-throttle-as-india-prepares-to-vote.webp "Weeks before India heads into a two-month-long election with nearly a billion voters, political party merchandise and flag makers are expanding operations and working overtime to meet a surge in demand.<br/><br/>With the first voting day of the seven-phase election on April 19 nearing, garment makers are temporarily converting factories where they usually make saris into production hubs for election flags and banners.<br/> <br/>WATCH MORE: https://thestartv.com/c/news<br/>SUBSCRIBE: https://cutt.ly/TheStar<br/>LIKE: https://fb.com/TheStarOnline")
_saree-weaving-high-speed-rapier-loom-160-cm-62inch-pan-a.webp "akshay gondalia")
_how-to-make-tant-saree-in-power-loom-124-124-saree-of-west-bengal-124.webp "Surajit Saha")
_yabani-episode-1.webp "Yaman, who has struggled to survive on the streets for as long as he can remember, was<br/>He started a family for himself with Cesur, Asi and Umut, whose paths crossed. Why and how to take to the streets<br/>Unaware that they have fallen, these four young people leave their childhood traumas behind and embrace each other.<br/>They chose to hold on. They are happy despite the difficult life conditions they live in. Their only concern<br/>It is the cure for Hope. He was advertised as a \")
_traditional-weaving-process-in-power-loom.webp "Textile Vlog")
_banarasi-saree-making-process-computer-embroidery-designs.webp "Textile Vlog")
_the-perfect-tenant-episode-3-part-4.webp "The Perfect Tenant Episode 3<br/><br/>Mona is a young woman who grew up in an orphanage. She works for an Internet newspaper and has been reporting on the house arson cases that happened in different parts of Istanbul recently. Mona sees that the landlord with whom she was already fighting has put her belongings on the doorstep, and she is now homeless. She is forced to accept the offer of Yakup, whom she has just met, to become a tenant in her house, which was later divided into two by a strange architecture, as a temporary solution. However, on the first day Mona moved into the apartment, she noticed that there were strange things going on in the Yuva Apartment.<br/><br/>Cast: Dilan Çiçek Deniz, Serkay Tütüncü, Bennu Yıldırımlar, Melisa Döngel, Özlem Tokaslan, Ruhi Sarı, Rüçhan Çalışkur, <br/>Beyti Engin, Ümmü Putgül, Umut Kurt, Deniz Cengiz, Hasan Şahintürk<br/><br/>Credits:<br/>Screenplay: Nermin Yildirim<br/>Director: Yusuf Pirhasan<br/>Production Company: MF Yapım<br/>Producer: Asena Bülbüloğlu<br/><br/>#theperfecttenant #DilanÇiçekDeniz #SerkanTütüncü")
_atpoure-saree-porar-style-124-banarasi-silk-saree-for-wedding-124-reception-look-for-bride-in-saree.webp "Kajal's Beauty TV")
_124-atpoure-bridal-saree-draping-124-bengali-style-saree-draping.webp "Kajal's Beauty TV")
_evidence-2-the-most-brutal-and-barbaric-case-of-digital-tampering-ever-done.webp "The Most Brutal and Barbaric Case of Digital Tampering Ever: Unveiling the Truth Behind Café Olivier CCTV Footage Manipulation by Indonesian Police Officer<br/><br/><br/>EVIDENCE 2:<br/>CUTTING CCTV VIDEO FILE 9 INTO 2 PARTS AND PERFORMING DOWNSCALING ON THE FIRST SEGMENT<br/>Muhammad Nuh Al-Azhar and Christopher Hariman Rianto, coordinated by Krishna Murti, divided CCTV video 9 into two segments:<br/><br/>Segment 1: 15:35 – 16:59 Local Time<br/>The frame dimension was reduced to 960 x 576 px, and the frame rate was reduced to 10 frames per second. In this segment, it was necessary to observe the color of coffee served by Agus Triono at table 54 at 16:24:18 Local Time, yet Muhammad Nuh Al-Azhar blurred it instead.<br/><br/>Segment 2: 16:59 – 18:25 Local Time<br/>Frame dimension remained full high definition (FHD, 1920x1080 px), and the frame rate remained at 25 frames per second. However, it was here where the color of the remaining coffee that Mirna Salihin drank, taken by Sari at 17:21:20 Local Time, was observed.<br/><br/>Analysis<br/>In Segment 1, where the frame dimension was reduced and the frame rate was lowered, the deliberate blurring of the coffee served by Agus Triono at table 54 at 16:24:18 Local Time had significant consequences. This manipulation obscured crucial details that could have been pertinent to the investigation. Deliberately altering the footage in this manner raised suspicions of tampering or concealment of evidence.<br/><br/>Moving to Segment 2, where the frame dimension remained high definition and the frame rate was maintained at 25 frame per second, the deliberate manipulation of the coffee color consumed by Mirna Salihin becomed apparent. By maintaining the integrity of this segment while altering the previous one, the forensic experts created a stark contrast that potentially mislead the judges.<br/><br/>The non-equivalent comparison of coffee colors between the two segments, one downscaled and the other original, led to erroneous conclusions. This manipulation introduced inaccuracies in the analysis, distorting the true representation of events. The discrepancy in coffee colors identified by the forensic experts become a crucial point of contention, casting doubt on the validity of the entire forensic process.<br/><br/>The deliberate manipulation of the coffee color in the video footage posed significant challenges for toxicological analysis. Toxicologists, Nursamran Subandi and I Made Agus Gelgel, heavily relied on visual evidence to assess the presence of toxins, such as cyanide, in substances like coffee. However, when the color of the coffee was tampered with, toxicologists drawn inaccurate conclusions. For instance, if the manipulated footage portrayed the coffee as a different color than it actually was, toxicologists might misinterpreted the data and wrongly diagnosed the presence of toxins. This manipulation undermined the accuracy and reliability of the toxicological analysis, casting doubt on the validity of the findings and complicating the judicial process.<br/>")
_inside-a-hand-loom-weaving-factory.webp "Textile Vlog")
_santipur-tant-sarees-power-loom-124-jamdani-saree-making-in-dropbox-loom-124-hand-loom.webp "Travel Tride")
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